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Eric
Clapton
Born: Eric Patrick Clapton
March 30, 1945
Ripley, Surrey, England
Eric Clapton ranks as one of the classic great
rock guitarists who influenced the direction of
the music in the late sixties. His career
continues to the present day, and his story is
here, with research and excerpts from Wikipedia.
Clapton was born the son of 16 year old
Patricia Molly Clapton and Edward Walter Fryer, a
24-year-old soldier from Montreal, Quebec,
Canada. The two were not married.
Fryer shipped off to war prior to Clapton's birth
and then returned to Canada.
He grew up with his grandmother, Rose, and her
second husband Jack, believing they were his
parents and that his mother was his older
sister. Their surname was Clapp, which has
given rise to the widespread but erroneous belief
that Clapton's real surname is Clapp (Clapton is
the name of Rose's first husband, Eric Clapton's
maternal grandfather).
Eric
Clapton and his mother, Molly (right).
Years later, his mother married another
Canadian soldier, moved to Canada and left Eric
with his grandparents. When Clapton was nine
years old, he discovered the true situation when
his mother and six year old half-brother, Brian,
returned to England for a visit. The
experience became a defining moment in his life.
He stopped applying himself at school and
became moody and distant from his family.
Brian died in 1974 in a road accident.
Clapton also has two half-sisters from his
mother's marriage: Cheryl (born in May 1953) and
Heather (born in September 1958).
Clapton grew up quiet, shy, lonely and in his
words a "nasty kid", who was very
serious about his musical goals. However, he
is also known to have had a sense of humour.
Clapton spent his secondary school years at the
Hollyfield School in Surbiton. His first job
was as a postman.
Clapton received an acoustic Spanish Hoya
guitar for his 13th birthday. He found
learning the instrument very difficult and nearly
gave up. He was influenced by the blues from
an early age and practiced long hours to learn
chords and copy the music of black blues artists
that he listened to on his Grundig Cub tape
recorder.
After leaving school, Clapton completed a
one-year foundation art course in 1962 at the
Kingston College of Art but he did not go on to
undertake an art degree. Around this time
Clapton began busking around Kingston, Richmond
and the West End of London.
When he was 17 years old, Clapton joined his
first band. It was an early British R&B group
called The Roosters. He stayed with this
band from January through August in 1963.
Clapton did a seven-gig stint with Casey Jones and
the Engineers in October 1963.
Clapton
joined The Yardbirds, a blues-influenced rock and
roll band, in 1963 and stayed with them until
March 1965. Synthesising influences from
Chicago blues and leading blues guitarists such as
Buddy Guy, Freddie King and B. B. King, Clapton
forged a distinctive style and rapidly became one
of the most talked-about guitarists in the British
music scene.
The band initially played
Chess/Checker/Vee-Jay blues numbers and began to
attract a large cult following when they took over
the Rolling Stones' residency at the Crawdaddy
Club in Richmond. They toured England with
American bluesman Sonny Boy Williamson II; a joint
LP, recorded in December 1963, was issued
belatedly under both their names in 1965.
In March 1965, just as Clapton left the band,
the Yardbirds had their first major hit, "For
Your Love", on which Clapton played guitar.
It was during his time with the Yardbirds that
Clapton acquired the nickname
"Slowhand". Whenever he broke a
guitar string on stage he would immediately
replace it himself; British audiences would
respond with slow hand claps until he was finished
and ready to play again. Inspired by this,
and also in ironic reference to Clapton's 'fast'
playing, the Yardbirds' manager Giorgio Gomelsky
christened him "Slowhand" Clapton.
Still
obstinately dedicated to blues music, Clapton was
strongly offended by the Yardbirds' new
pop-oriented direction, partly because "For
Your Love" had been written by pop
songwriter-for-hire Graham Gouldman, who had also
written hits for teen pop outfit Herman's Hermits
and harmony pop band The Hollies.
Clapton recommended fellow guitarist Jimmy Page
as his replacement, but Page was at that time
unwilling to relinquish his lucrative career as a
freelance studio musician, so Page in turn
recommended Clapton's successor, Jeff Beck.
While Beck and Page played together in the
Yardbirds, the trio of Beck, Page, and Clapton
were never in the group together. However, the
trio did appear on the 12-date benefit tour for
Action for Research into Multiple Sclerosis, as
well as on the album Guitar Boogie, but not all on
the same tracks.
The
Bluesbreakers [
top ]
Clapton
joined John Mayall & the Bluesbreakers in
April 1965. His passionate playing in
nightclubs, and on the immensely influential
album, Blues Breakers, established Clapton's name
worldwide as a blues guitarist. With his
1960 Gibson Les Paul Standard guitar and Marshall
amplifier, Clapton's playing by then had inspired
a well-publicized graffiti that deified him with
the famous slogan "Clapton is God".
The
phrase was spray-painted by an admirer on a wall
in an Islington Underground station in the autumn
of 1967. The graffito was captured in a now-famous
photograph, in which a dog is urinating on the
wall. Clapton is well reported to have been
embarrassed by the slogan, saying in The South
Bank Show profile of him made in 1987, "I
never accepted that I was the greatest guitar
player in the world. I always wanted to be the
greatest guitar player in the world, but that's an
ideal, and I accept it as an ideal."
The phrase began to appear in other areas of
Islington throughout the mid-60s.
Clapton
left the Bluesbreakers in July 1966 (to be
replaced by Peter Green) and then formed Cream,
one of the earliest supergroups. Cream
was also one of the earliest "power
trios", with Jack Bruce on bass (also of
Manfred Mann, the Bluesbreakers and the Graham
Bond Organization) and Ginger Baker on drums
(another member of the GBO).
Before the formation of Cream, Clapton was all
but unknown in the United States; he left The
Yardbirds before "For Your Love" hit the
American Top Ten, and had yet to perform
there. During his time with Cream, Clapton
began to develop as a singer and songwriter, as
well as guitarist, though Bruce took most of the
lead vocals and wrote the majority of the material
with lyricist Pete Brown.
Cream's first gig was an unofficial performance
at the Twisted Wheel in Manchester on 29 July 1966
before their full debut two nights later at the
National Jazz and Blues Festival in Windsor.
Cream established an enduring legend on the
high-volume blues jamming and extended solos of
their live shows, while their studio work was
focused on shorter versions of the same songs.
In
early 1967, Clapton's status as Britain's top
guitarist was rivaled by the emergence of Jimi
Hendrix. Hendrix attended a performance of the
newly formed Cream at the Central London
Polytechnic on 1 October 1966, during which
Hendrix sat in on a shattering double-timed
version of "Killing Floor".
Top UK stars including Clapton, Pete Townshend,
The Rolling Stones and The Beatles avidly attended
Hendrix's early club performances. Hendrix's
arrival had an immediate and major effect on the
next phase of Clapton's career, although Clapton
continued to be recognised in UK music polls as
the premier guitarist.
It
was with Cream that Clapton first visited the
USA. They went to New York in March 1967 for
a nine show stand at the RKO Theater. They
returned to New York to record Disraeli Gears from
11 May - 15 May 1967.
Cream's repertoire varied from soulful pop
("I Feel Free") to lengthy blues-based
instrumental jams ("Spoonful") and
featured Clapton's searing guitar lines, Bruce's
soaring vocals and prominent, fluid bass playing,
and Baker's powerful, polyrhythmic jazz-influenced
drumming.
In
a mere twenty-eight months Cream had immense
commercial success, selling millions of records
and playing to standing-room only crowds
throughout the U.S. and Europe. They redefined the
instrumentalist's role in rock and were one of the
first bands to emphasise musical virtuosity, skill
and flash.
Their U.S. hit singles include "Sunshine
of Your Love" (#5, 1968), "White
Room" (#6, 1968) and "Crossroads"
(#28, 1969) - a live version of Robert Johnson's
"Cross Road Blues."
Although Cream was hailed as one of the
greatest groups of its day, and the adulation of
Clapton as a guitar hero reached new heights, the
band was destined to be short-lived. The
legendary infighting between Bruce and Baker and
growing tensions among all three members
eventually led to Cream's demise.
Another
significant factor was a strongly critical Rolling
Stone review of a concert of the group's second
headlining U.S. tour, which affected Clapton
profoundly.
By this time he had also fallen
deeply under the spell of the music of The Band
after they had released the album Music from Big
Pink and began to believe that rock music was
heading in a new direction. He was so infatuated
with them that he even asked to join them, but was
turned down.
Cream's
farewell album, Goodbye, featured live
performances recorded live at The Forum, Los
Angeles, 19 October 1968, and it was released
shortly after Cream disbanded in 1968; it also
featured the studio single "Badge",
co-written by Clapton and George Harrison, whom he
had met and become friends with after the Beatles
had shared a bill with the Clapton-era Yardbirds
at the London Palladium.
The close friendship between
Clapton and Harrison resulted in Clapton's playing
on Harrison's "While My Guitar Gently
Weeps" from the Beatles' White Album. By all
accounts the presence of an outsider, especially
of Clapton's caliber, had the effect of bringing
peace to the disharmonious Beatles.
In
the same year of release as the White Album,
Harrison released his solo debut Wonderwall Music
that became the first of many Harrison solo
records to feature Clapton on guitar, who would go
largely unaccredited due to contractual
restraints.
The pair would often play live together as each
other's guests. A year after Harrison's death in
2001, Clapton helped organise the tribute concert,
for which he was musical director.
Since their 1968 breakup, Cream briefly
reunited in 1993 to perform at the ceremony
inducting them into the Rock and Roll Hall of
Fame. A full-scale reunion of the legendary
trio took place in May 2005, with Clapton, Bruce
and Baker playing 4 sold-out concerts at London's
Royal Albert Hall (the scene of their 1968
farewell shows) and 3 more at New York's Madison
Square Garden that October. Recordings from
the London shows were released on CD and DVD in
September 2005.
A
desultory spell in a second supergroup, the
short-lived Blind Faith (1969), which was composed
of Cream drummer Ginger Baker, Steve Winwood of
Traffic and Ric Grech of Family, resulted in one
LP and one arena-circuit tour. The supergroup
debuted before 100,000 fans in London's Hyde Park
on 7 June 1969, performed several dates in
Scandinavia, then began a sold-out American tour
in July before its one and only album had been
released.
The
LP Blind Faith was recorded in such haste that
side two consisted of just two songs, one of them
a 15 minute jam entitled "Do What You
Like". The album's jacket image of a
topless pubescent girl was deemed controversial in
the U.S. and was replaced by a photograph of the
band. Blind Faith dissolved after less than seven
months together.
While Winwood returned to Traffic, by now
Clapton was tired of both the spotlight and the
hype that had surrounded Cream and Blind Faith. He
wanted to make music that more closely resembled
that of The Band.
Delany & Bonnie and Friends
Clapton decided to step into the
background for a time, touring as a sideman with
the American group Delaney and Bonnie and Friends,
who had been the support act for Blind Faith's
U.S. tour. He also played two dates that fall with
The Plastic Ono Band.
Clapton
became close friends with Delaney Bramlett (Bonnie
Bramlett, left), who encouraged him in his
singing and writing, which would show determined
growth in his next effort.
Using the Bramletts' backing group and an
all-star cast of session players (including Leon
Russell and Stephen Stills), he recorded his first
solo album during two brief tour hiatuses,
fittingly named Eric Clapton, which included the
Bramlett composition, "Bottle Of Red
Wine" and "Let It Rain". It also
yielded an unexpected U.S. #18 hit, J. J. Cale's
"After Midnight".
Clapton went from the stage with Delaney and
Bonnie to the studio with the Dominos to record
George Harrison's All Things Must Pass in spring
1970. During this busy period, Clapton also
recorded with Stephen Stills, Dr John, Leon
Russell, Plastic Ono Band, Howlin' Wolf, The Bonzo
Dog Band, King Curtis, Ashton Gardner & Dyke,
Martha Veléz, Billy Preston and Ringo Starr.
Derek
and the Dominos
[ top ]
Taking
over Delaney & Bonnie's rhythm section --
Bobby Whitlock (keyboards, vocals), Carl Radle
(bass) and Jim Gordon (drums) -- Clapton formed a
new band which was similarly intended to
counteract the 'star' cult that had grown up
around him and display Clapton as an equal member
of a fully-fledged group. The band was
unnamed early on simply called "Eric Clapton
and Friends" with its final name, Derek and
the Dominos, an accident, by all accounts.
Whitlock claims the previous performer, Tony
Ashton of Ashton, Gardner and Dyke mispronounced
their provisional name of "Eric and the
Dynamos" as Derek and the Dominos. While in
Clapton's biography a different story emerges
claiming Ashton told Clapton to call the band
"Del and the Dominos", Del being his
nickname for Clapton. Del and Eric were combined
and the final name became "Derek and the
Dominos."
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