Jimmy
Page's Guitars
Although
Page is associated with a Gibson Les Paul and
Gibson double-necked ( EDS-1275 ) guitar on live
shows with Led Zeppelin, he used a variety of
acoustic and electric instruments on the band's
studio sessions.
This is a list of some of Jimmy Page's working
arsenal, according to Wikipedia:
Electric Guitars
-
1958
Fender Telecaster Given to him by Jeff
Beck
-
1959
Gibson Les Paul Standard (No. 1)
-
1958
Gibson Les Paul Standard (No. 2) Given
to him by Joe Walsh
-
Danelectro
3021
-
Vox
12-String
-
Gibson
Les Paul Black Beauty - stolen in 1970
-
Rickenbacker
12 String
-
Gibson
EDS-1275 (Used for playing Stairway to
Heaven and The Song Remains The Same
live)
-
1973
Gibson Les Paul Standard
-
1964
Lake Placid Blue Fender Stratocaster
-
1966
Cream Fender Stratocaster
-
1959
Fender Telecaster
-
Fender
12-String
-
Gibson
RD Artist
Acoustic
Guitars
-
Gibson
J-200
-
Martin
D28 Acoustic
-
Gibson
Everly Brothers Acoustic
-
Giannini
12-String Acoustic
-
Harmony
Acoustic
-
Washburn
12 String Acoustic
-
Ovation
1994 Double Neck Acoustic
-
Andy
Manson custom Triple Neck Mandolin, 12
string & 6 string acoustic
Other
Instruments
Guitar Effects
Personal
Collection
Jimmy
Page is reputed to own in excess of fifteen
hundred different guitars. Page revealed
this rough estimate to BBC Radio Two presenter
Stuart Maconie in June 2005.
Page's primary guitar, a 1959 Gibson Les Paul, was
acquired in early 1969 from fellow guitarist Joe
Walsh.
One of Jimmy Page's Les Paul Custom "Black
Beauties" is now owned by Dan Hawkins of The
Darkness, due to the fact the guitar was too heavy
for him. It is not the same Black Beauty
that was stolen from him in 1970.
Amplifiers
Page
worked with a Supro 1640T amp, modified for a
single 12" speaker on his early session
recordings, including all of Led Zeppelin 1.
With
The Yardbirds, he often used Vox AC-30 amplifiers
live and on their recordings.
He
used various configurations of Marshall and
Hi-Watt amplifiers live and in the studio for most
of his career with Led Zeppelin. He
continued to use the Supro for some of the band's
session work. His usual live configuration
consisted of Marshall SLP-1959 100-watt
guitar amplifiers, which were modified with KT-88
tubes, boosting their output to 200 watts,
played through multi 4 X 12" Marshall
Celestion speaker cabinet combinations.
Page
used Orange amplifiers with the theremin, featured
in the middle passages of Whole Lotta
Love.
Other
amplifiers used by Page include a Fender Dual
Showman and Fender Vibro-King. .
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